BLUE RAGS STITCHED TOGETHER BY CROWS

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J Cage: Music is permanent; only listening is intermittent

Friday, October 2, 2015

Silver Lake 10.1.2015

Posted by Hauke1nk at 2:43 PM

"At My Soul's Edge: Donald Revell's My Mojave" included in Till One Day the Sun Shall Shine More Brightly: The Poetry and Prose of Donald Revell (University of Michigan Press, 2020)
INDIAN SUMMER RECYCLING (The Magnificent Field, 2019)
EVERY LIVING ONE (Horse Less Press, 2015)
Included in HICK POETICS Anthology (Lost Roads Press, 2015)
IN THE MARBLE OF YOUR ANIMAL EYES (Publication Studio, 2013)
Pastoral (years later) with drawings by Kate Kern Mundie (Shirt PocketPress, 2013)
Country Music, a collaborative essay written with Kirsten Jorgenson (DoubleCross Press, 2013)
Honeybabe, Don't Leave Me Now (Horse Less Press, 2013)
Included in THE ARCADIA PROJECT: NORTH AMERICAN POSTMODERN PASTORAL (Ahsahta Press, 2012)
S E W N (Horse Less Press, 2011)
In the Living Room (Lame House Press, 2010)

"Dog Creek," "To think of you alone," "Talk along the river," and "Gold threads" in Interim Vol. 36, Issue 2
"As devil's mischief/ may produce beautiful gardens" in WITNESS XXXI.3
"Surely, a tree," "Blue rabbit," "Harmony (what holds)," and "Echo" in The Equalizer: Third Series
"Radio," "Weather systems ('today I feel like')," "If somebody don't help me," and "Walking out through blistered waves of feedback" in Interim 35.4
"Grief/ A lion," "Fall," "February," "Thistle," "Turn gold," and "Smudged cat eyes" in Zodiac Poetics at Entropy
"Feral Poppies" (for Michelle Detorie) in ASPASIOLOGY
"Long gone lonesome" and "A beetle in the screen" in Interim 33.1
"Bunny Scout triptych" and "Trying to" in Banango Street #10
"Another patternless pattern of excitement" in Country Music: "experimental rural/ suburban experiment"
"Bones or branches" in TYPO 17
"Falling is all edges," "A piece of string in the leaves," "After the parade," "Sketch" in SPORK
"Leaves where light carves your eyes," "Saying Jesus" in E-ratio
“Bury me deep,” “Wakefulness more like a stammer, not static,” “Where the climate suits my clothes,” “After Lucretius,” “It’s a horse” in Dusie 13 (“Radical Vernacular Poetics”)
"Color is worse than eternity" in RealPoetik

Eryn Green's "Original Echoes: The art of poetic compost in Nathan Hauke's Indian Summer Recycling"
Evan Gray's "Morning Buzz Through a Worn-out Speaker: The Practice of Compost + Music in Nathan Hauke's Indian Summer Recycling"
James Knippen reviews Indian Summer Recycling for Tarpaulin Sky
Further Uplands and in More Wide-Lying Pastures: Nathan Hauke's In the Marble of Your Animal Eyes, by Derek Pollard
Brenda Sieczkowski reviews IN THE MARLBE OF YOUR ANIMAL EYES at The Rumpus
Abe Smith on "After Lucretius" for HICK POETICS at LINES/ Lost Roads blog
Megan Burns on IN THE MARBLE OF YOUR ANIMAL EYES in H_NGM_N
Jen Tynes on Antlers, Tweenagers, and Nathan Hauke at LINES/ Lost Roads blog
Caroline Klocksiem on In the Living Room in Gently Read Literature

"Fill Every Pore With Music" in Interim Vol. 36, Issue 2
"I am Animal; There is No Becoming": Review of Michelle Detorie's After-Cave in Tarpaulin Sky
Feat. in Linda Russo's "Of the relational local: A resurgence of ecopoetics post-conference 'plenary'" in Jacket2
Coldfront feat. on Aaron Martin's "Canopy"
“'Disrupting the Monologic of the Solitary Singer': An Interview with Poet/ Publisher Paul Naylor” in Drunken Boat 18
“What I’m Reading Now” in Drunken Boat
“'Not knowing but as proximity': Hank Lazer’s N18 (COMPLETE)" in Drunken Boat 17
“'Die Wilderkinder, like Yomi': Brenda Sieczkowski’s Wonder Girl in Monster Land" in Drunken Boat 17
“Midnight Orchard” in Rock & Sling
“No Plot So Narrow” in Girls in a Tight Place

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